FootageHub Producer, Francois Areseneault releases all new footage

From boats in quiet harbors to oil rigs on the prairie, from the Coliseum in Rome and the pyramids of Egypt to a modern building under construction, sites (and sights) are global. Motorcycles race on a snow-covered track, hot air balloons take flight, low-flying bombers dump fire retardant. Shots of people in action: skateboarders, Motocross and mountain bike racers, rodeo clowns and cowboys, fishermen on a sandy beach, and others.

Nature shots include a full moon floating in the night sky, an eagle soaring against the clouds, beef cattle roaming on a Western ranch, gulls and seals on the beach. Wherever you look in this Francois Arseneault new release, possibilities are endless.

New Rubberball stock footage available now

Spread across a variety of geographical locations, this new footage from prolific FootageHub producer Rubberball focuses on people in action–all kinds of action, from a ballet class to guys pushing a stalled car to a couple sharing wine in a hot tub to a woman in a dentist’s chair, and much, much more; from fast-paced city life to rural solitude.

Interspersed among the extravaganza of life-style footage is a melange of evocative nature and animal shots, classic city skylines, and ’round-the-world landscapes as well as some clever, thought-provoking concept shots. Something to set the perfect mood for your next project is on tap here.

Stock Footage Inc Releases New Stock Footage

FootageHub producer Stock Footage Inc. captures the vibrant beauty of Rio de Janeiro, Brazil’s most exciting city. Waves lap the shorelines of Botafogo Bay and Ipanema Beach; the iconic statue of Christ the Redeemer on Mount Corcovado spreads its arms above the cityscape and crowded favelas, Rio’s low-rent hillside residential areas; tourists ride the breath-taking gondolas on Sugarloaf Mountain.

If it’s Rio, it’s here! Dawn to sunset and night aerial shots provide memorable views of one of the Western Hemisphere’s most fascinating cities. Whether you are looking for a specific landmark to establish location in Rio or an image that simply conveys classic fun and beauty in a tropical setting, these new clips from Stock Footage Inc. are worth checking out!

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A few of the subjects that we offer:
Driving Plates (5-9 angles)             Washington DC Aerials                   New York Aerials
Tornadoes                                      Extreme Weather                            Families & Babies
Business Meetings                         Wild & Domestic Animals                Fitness
Los Angeles Aerials                       Ultra Slow Motion                            Boston Aerials
Firemen                                          Flowers                                           Tropical Beaches

Stock Footage Collage

Artbeats Royalty Free Stock Footage

Explosions                                      Monster Waves                              Asian Cities
Surfers                                           Establishments                               Netherlands
Nature                                            Skydiving                                        Space & Starfields
Timelapse                                      Effects                                            Night Aerials
London                                           San Francisco                                Military

Call or email us today and we’ll be happy to find you that perfect shot. Or, if you prefer, Artbeats makes it easy to search our entire library online, request free research, live chat, create clip bins, and learn new editing techniques. While you’re at it, register today and sign up for the eNewsletter for the latest on new releases, tutorials, demo reels and more.

Amos Rafaeli Talks about Shooting Stock Footage

Q:     How long have you been shooting stock footage?

I’ve been a Cameraman/Cinematographer since 2001, but started shooting Stock Footage in 2009. I love shooting stock, because you are your own boss and it is also a combination between my hobby and profession.

Amos Rafaeli

Amos Rafaeli

 

 

 

 

 

 

 

 

 

 

 

 

 

Q:     What is your favorite subject to shoot?

The thing I like to shoot the most is nature and wildlife. Unfortunately, there is not much wildlife to shoot in Israel where I’m based. But I also love shooting time-lapse photography. Two years ago I added a time-lapse slider and motorized head to my gear.

Hobbled camel on a hilltop in Israel

AR-FH101-29 – Tethered camel on a hilltop

I like two major things in time-lapse photography: 1) that it forces you to have quiet time with yourself and 2) today in the digital age it remain almost the last ability that like in film you don’t really know the result until you process the shot.

I’m also a scuba diver, and recently got a new housing to my camera, and hopefully will shoot new great underwater footage.

Parrotfish

AR-FH103-20 – Parrotfish swimming through coral

 

Q:     Which camera(s) do you prefer for shooting stock footage?

Since DSLR has video I prefer them as my camera. I know that in a technical matter they don’t have the best video, but they are lightweight, and have great optics. I use Panasonic and have had GH2 and GH3 but now GH4, which also provides me with 4K capabilities.

When I shoot time-lapse, I also use the Panasonic GH but shoot raw stills and then render them out as high quality 4K 4:2:2 10 bit video.

 

Q:         What’s your favorite clip that you currently have represented in the Artbeats FootageHub?

Sea of Galilee sunrise

AR-FH101-90 – Sunrise: Sea of Galilee, Capernaum, Israel

This is one of my first time-lapse. It is a sunrise, and I had a great combination of sun and clouds, which combined into a great sunrise shot.

 

Q:         What advice can you give to shooters who are just getting started in the stock footage industry?

The best advice is to create new footage, not more of the same. You, as a stock shooter, can try but never really predict what will be a success. Try to create new stuff; show new faces.

Time-lapse clouds passing over snowy Golan Heights

AR-FH107-09 – Clouds over snow, Golan Heights, Israel

 

Q:         What’s the best or worst thing that happened to you on a shoot?

The worst thing was not such a big deal. I once went and set up a time-lapse shot with the slider and then when the time to start came, I discovered I’d forgotten all my SD cards at home.

I’ve had a lot of great things happen to me while shooting. I had the chance to watch wild animals in nature.

 

Q:     What is the one thing you wished you’d been able to capture?

A whale during an underwater shoot.

 

About Amos Rafaeli:

Amos Rafaeli on location

Amos Rafaeli on location

Amos Rafaeli is 40 years old and lives in Kibbutz Hulda in Israel. He works as a Freelance Cameraman, mostly in Israel. He has worked on a few TV series, the most famous is “Arab Labor”
http://en.wikipedia.org/wiki/Arab_Labor
https://www.linktv.org/series/arab-labor
And he has shot a lot of TV and corporate work.

 

CSC award recipient Pasha Patriki talks with Artbeats

Q: When did you begin shooting?

A: My career in film began in 1999 and since 2003 I have been professionally shooting stock footage.

 

Q: What is your favorite subject to shoot?

A: Actually, dramatic scenes with actors are my favorite.

Firemen walking on a street

FF-FH100-15 – Firemen walking on a street

 

Q: Which camera(s) do you prefer for shooting stock footage?

A: My camera of choice is Red Epic, for it’s versatility and quality.

 

Q: What’s your favorite clip that you currently have represented in the Artbeats FootageHub?

A: It’s unfair to ask a parent which one of his babies is his/her favorite. 🙂

Woman dancing on an urban rooftop

FF-FH101-07 – Woman dancing on an urban rooftop

 

Q: What advice can you give to shooters who are just getting started in the stock footage industry?

A: Shoot as much as you can, the best you can. Learn the rules. And then break them.

FF-FH101-29_Crowd

FF-FH101-29 – Fans at an outdoor concert

 

Q: What’s the best or worst thing that happened to you on a shoot?

A: Best – Having a world-known icon unexpectedly sign your release form.

FF-FH101-34DJ

FF-FH101-34 – DJ at a disco

 

Worst – dropping camera into radioactive pool of water.

FF-FH103-31

FF-FH103-31 – Teacup and saucer fall in slow-motion

 

Q: What is the one thing you wished you’d been able to capture?

A: There is not ONE thing I wish I could capture. This is an ongoing list that transforms together with our world.

 

About Pasha Patriki:

Pasha Patriki

Pasha Patriki

Since he was 4 year old, Pasha was determined to become a filmmaker. Growing up in Moscow, Russia, he started learning the craft by playing with his grandfather’s Super9 camera. Already then Pasha was striving to create narrative pieces, not just home movies.

After moving to Toronto in 1996, he started working on various film sets as a lighting technician, simultaneously studying in the Film & Video production program at York University. Today – 15 years professionally in the business – Pasha’s work as Director of Photography has been recognized in Canada as well internationally

Almost every year music videos lensed by Pasha receive nominations at Much Music Video Awards. Pasha has shot videos for notable Canadian artists like Hedley, Billy Talent, Down With Webster, Carly Rae Jepsen, Mariana’s Trench, Finger Eleven, Anjulie, and many others.

In 2014 – second year in a row – Pasha is nominated for the Best Cinematography at the CSC awards. Last year it was two nominations – one of them landing as an award for Music Video category. Pasha Patriki is a full member of CSC (Canadian Society of Cinematographers) as well as an IATSE 667 Union member in the DOP category.

Review Pasha Patriki’s footage here.

Mark Adams discusses Rocketclips beginning

Artbeats’ customers and subscribers have evinced a lot of interest in learning more about our footage producers: e.g., how they started in the business, what challenges they met, what cameras are their favorites, what advice they would give when shooting stock footage, and so forth. What would be a better way to start off a series of producer interviews than to feature Mark Adams of Rocketclips?

rocketclips

Q: When did Rocketclips begin shooting?

A: I started as an assignment still photographer in 1978 and began shooting stock stills in 1984, by the mid-90’s shooting stock stills was my full-time living. I founded Rocketclips and picked up my first video camera in 1999, by 2001 the change-over to motion was complete.

 

Q: Your library is full of great shots of people doing various activities. What is your favorite setting for capturing this “lifestyle” footage?

A: I’ve been working a lot with a set we built. We can dress it for business and medical. Sometimes it’s a living room or a bedroom. We’ve even turned it into a clothing store and a spa.

Family connecting to social media

RC-FH183-024. – African American family using cellphone and tablets

 

Q: What are some of the challenges you face with doing studio shoots vs on location?

A: I prefer to shoot indoors. It’s easier to control the environment. Being on location allows the talent to interact with the real world, things can feel more natural but the trade off is just what you would expect; weather, dirt, sand, less than interesting backgrounds, police. Among the biggest challenges we face wherever we shoot are the logistics of managing props and wardrobe. Also camera movement is a huge challenge, especially on a budget. After years as a still stock shooter, working with talent comes very naturally. It’s all the gear necessary for shooting motion that makes us crazy.

Happy friends laughing and dancing

RC-FH234-083 – Happy business colleagues dancing

 

Q: What’s your favorite clip that you currently have represented in the Artbeats FootageHub?

A: I don’t have favorite clips. I have favorite shoots. Those are the shoots when I’m at my best and I’ve got terrific talent. I bring it, they bring it and the footage looks great.

RC-FH232-134 - Young couple making faces

RC-FH232-134 – Young couple making faces

 

Q: What¹s the best or worst thing that happened to you on a shoot?

A: The best was shooting childbirth. The worst, getting arrested for shooting with out permits.

Man being arrested

RC-FH177-2009 – Man with handcuffs

 

Q: What is the one thing you wished you¹d been able to capture?

A: One time I splurged and rented a helicopter to shoot the Las Vegas strip at twilight. I didn’t have the money for a stabilized camera mount, so they took the doors off for me and I hung out hand held, totally useless footage. I envy Phil; he does wonderful aerials.

RC-FH097-001 -  Las Vegas Boulevard at night

RC-FH097-001 – Las Vegas Boulevard at night

 

Q: Which camera(s) do you prefer for shooting stock footage?

A: Right now I’m shooting with a Red Epic and I love it. Shooting raw is like a dream come true.

 

Q: What advice can you give to shooters who are just getting started in the stock footage industry?

A: Anyone being honest will tell you that shooting stock has taken a hit from lowering prices. It’s tough to make a living solely from stock. My advice? Anyone with the skill to use a tool, whether it’s a law book, a wrench or a camera can make a living with that tool, if they are talented, committed and passionate.

Young woman doing homework and talking on smart phone

RC-FH208-104 – Young woman on cellphone and studying.

 

About Rocketclips:

Mark Adams, Rocketclips

Mark Adams, Rocketclips

Rocketclips, Inc was founded by Mark Adams in 1999.
Mark is an experienced professional photographer and videographer who lives with his family in Long Beach, CA.
He graduated in 1978 from the commercial photography program at Art Center College of Design in Pasadena, California.
He began shooting stock stills in 1984 and migrated into motion with video in 1999.
Rocketclips always uses professional talent and specializes in lifestyle, business and nature imagery.